By Anushka Joshi | February 21, 2020
My name is Anushka Joshi and I am from Ahmedabad, India, a city where there was a pogrom in 2002 that led to the deaths of nearly two thousand people ((India: A Decade On, Gujarat Justice Incomplete.” Human Rights Watch. April 17, 2015). The legacy of this is pervasive today: housing and education is de facto segregated, minorities are treated as second-class citizens, and dissidence against a rabidly right-wing government is labelled “anti-national.” I spent part of this summer working to establish a library in my hometown that would serve as a meeting ground for children of all faiths through a grant from the Davis Projects for Peace. The most difficult aspect of this was curating books for the library that would address both the deeply painful history of Ahmedabad and reflect the hopes that I still had for the city, in the face of everyday evidence to the contrary. One way of expressing the truth I was confronted with was through poetry. The following three poems are all about recent human rights issues in India, beginning with the 2002 violence in Ahmedabad and ending with the the recent clampdown on protests in Kashmir, which shows that seventeen years on from the first tragedy, we have only become better at state-sanctioned callousness.
Mother Tongue
The documentary I am watching about the massacres
Has no subtitles, and so it is only halfway
Between a woman’s sobbing that I realize
She is not saying that her neighbors took away her jewels
But that they took away her daughters.
And it is only halfway through a man’s explanation
(He flinches as if reality is a fly hovering too close
To his eyes)
That I realize the child in his arms is not his
But one he found lost in all the madness.
It is only midway through his story
(Told with blinking eyes, this man so thin
It would not have taken much kerosene to burn him alive)
That I realize his own wife and child are missing.
(Meri gharwali, he calls her,
Which I know means the one who belongs
To my home: our language was never made
For times like these, when homes no
Longer exist).
He had stopped to pick up this child
As one might pick up a key
Knowing only that it means
Something to someone,
Though in all likelihood
It will never be claimed, and the door and the house
Which it belonged to have almost certainly
Been burnt away.
All of this I understand only by degrees,
So much have I forgotten my mother tongue.
Surely, even now, there must be words
That I am missing.
Never have I wished more that I knew it,
Or been more grateful that I do not.
Afterwards
The survivors
Speak matter-of-factly
All that these people have now are facts,
And those too will be taken away from them soon.
They look up slightly at the mention of justice
Like farmers in famine, when it is
Far too late
Look up slightly
At the rumor of rain.
What I Fear for My Country
Very soon, I fear,
My country will become a place
Like those we read about in history books,
A place where
If you are promoted,
If you are not transferred,
If your article is printed,
If your tweet is retweeted
If your poetry is repeated
If you are invited to ceremonies,
If you are given awards,
If you are given commissions,
If your phone is not being tapped,
If your film is not being cut,
If your patriotism is not being questioned
If you are out of prison,
If you have a passport,
If your family is not being threatened,
If you are alive and think you will remain so,
Then you would have done something not quite good
At some point, somewhere along the way.
Sarah Lawrence Political Review 